It came out last week that the Sheldon Abend Revocable Trust (I know...those friggin' guys again!) has filed suit against Universal Studios and DreamWorks Pictures for making Disturbia without getting the rights to remake Rear Window.* If you're not familiar with the backstory here, it's this -- Disturbia is Rear Window. Everybody knew it, when the reviews came out, everybody mentioned it, but nobody did anything about it...UNTIL NOW!
It might seem that filing suit in September of 2008 about a film that came out on April 13, 2007 is a bit, well, poorly timed. But Dan and I totally understand. We're big Hitchcock fans, or, we're big fans of that part in Vertigo where Jimmy Stewart's head floats in front of a psychadelic background, at least, and we remember the hard time we had trying to find Rear Window on video way back in the day when we were only junior Surrealists. Turns out Rear Window has been at the center of rights confusion ever since it came out, which kept it off of video and TV for a long time. So we can see how it could've taken 18 months to figure out who had the right to sue Universal and DreamWorks in the first place.
But as recent victims of intellectual property theft, Dan and I are backing this suit all the way. We're also backing the estate of Akira Kurosawa, who announced today that they're filing suit against everybody in Hollywood. George Lucas for his unauthorized remake of The Hidden Fortress, what's left of New Line Cinema for their remake of Yojimbo, Alejandro Gonzalez Innarritu, Guillermo Arriaga, and Tony Gilroy for everything they've ever done without crediting Rashomon, Ron Howard for his abysmal take on High and Low, and the list just goes on and on. They've even named the Catholic Church in the suit for their continued depiction of St. Sebastian as being martyred in a way that's eerily reminiscent of Toshiro Mifune's undoing in Throne of Blood. That last one's a bit of a stretch, but we really do like Kurosawa, so we'll cut his people some slack.
We'd also like to suggest options for some other potentially litigious and way-too-late souls out there. May we suggest to the living descendants of the Donner Party** that they might pursue some recourse against the producers of Soylent Green, or to the surving members of The Doors (if they can stop bickering amongst themselves -- face it, Eddie Vedder isn't going to join your band) that they should drop the hammer on Smashmouth for blatantly ripping off the opening of "Soul Kitchen" for their song "Walking on the Sun."
You're welcome. Anything we can do to help.
Vince out.
*Notice in this article that the main perpetrator behind Disturbia, director D.J. Caruso, is quoted as saying that "you can't remake Rear Window." Well, have we got some news for him...
** Dan and I would like to illuminate the person who wrote "Although [cannibalism] has become synonymous with the Donner Party in the popular imagination, it was actually a minor part of the episode" on the Wikipedia entry. To wit, in Western civilization, cannibalism is always a major component of any event where it occurs. For example, if Dan and I were to invite 87 people over one night (the number of people in the Donner Party, originally), and cannibalize 7 of them, when the authorities came around, we would no doubt get very little mileage out of the "Officers, it was only seven people out of 90, it was really only a small part of the episode" defense.