Did you hear about the MCLA Gallery 51 MySpace Show that we were in?
Well here are some moving pictures from the show- dare I say motion pictures?
So, you get it? Well be prepared to un-get it as you watch this bafflingly truncated piece of media coverage...
Have you un-gotten it all yet? Well we're not done with you... Here's one more video which we can only describe as "deliberate" and "!" and also "7." Enjoy.
Thanks. Now I've got to return to striking.
Dan.
Showing posts with label gallery. Show all posts
Showing posts with label gallery. Show all posts
Monday, January 21, 2008
Sunday, December 24, 2006
Looking for Ass-Terrible Grindcore Bands
Ok. We’ve got an installation due for the New Year, but Bailey’s and grocery-store eggnog kind of snuck up on us, so we’re just now emerging from about a ten-day lost weekend and need a little help.
This is what we’re thinking: we’re going to give some ass-terrible grindcore bands their big break. It’ll be like American Idol meets American Movie meets...I don’t know...maybe Wet Hot American Summer.
People like Matthew Barney and the Museum of Contemporary Canadian Art have slowly been working extreme music into the art world by getting talented extreme musicians out of their usual habitats (caves and castles and graveyards and what-have-you) and putting them in museums so your average Joe-on-the-street can see that these people have elevated what they do to an art form. That’s great.
But here’s the problem: they’re getting good musicians. They need to get crappy musicians. We spent the better part of the 20th century proving that art doesn’t have to be good to go in museums, and now we’re backtracking. No! This is wrong.
So we’re calling the world’s worst extreme bands. If you’re seventeen and don’t know how to play guitar but you make noise with the neighbor’s kid who’s thirteen because he’s the only one you know with a drum kit and parents who’ll let you turn your amp up past three, or if you’re fifty and you used to be in Ratt but now you’re trying to earn some street cred or if you’re anywhere in between – but just so long as your band really, really sucks – drop us a line, but pronto.
We’ve got gallery space and a deadline, we’ll build replicas of your practice spaces and let you bang away for the cognoscenti...which, let’s face it, is a better deal than you’ll get from anybody else.
Vince out.
Note to those little Brazilian kids on YouTube – don’t bother applying. You’re too good.
This is what we’re thinking: we’re going to give some ass-terrible grindcore bands their big break. It’ll be like American Idol meets American Movie meets...I don’t know...maybe Wet Hot American Summer.
People like Matthew Barney and the Museum of Contemporary Canadian Art have slowly been working extreme music into the art world by getting talented extreme musicians out of their usual habitats (caves and castles and graveyards and what-have-you) and putting them in museums so your average Joe-on-the-street can see that these people have elevated what they do to an art form. That’s great.
But here’s the problem: they’re getting good musicians. They need to get crappy musicians. We spent the better part of the 20th century proving that art doesn’t have to be good to go in museums, and now we’re backtracking. No! This is wrong.
So we’re calling the world’s worst extreme bands. If you’re seventeen and don’t know how to play guitar but you make noise with the neighbor’s kid who’s thirteen because he’s the only one you know with a drum kit and parents who’ll let you turn your amp up past three, or if you’re fifty and you used to be in Ratt but now you’re trying to earn some street cred or if you’re anywhere in between – but just so long as your band really, really sucks – drop us a line, but pronto.
We’ve got gallery space and a deadline, we’ll build replicas of your practice spaces and let you bang away for the cognoscenti...which, let’s face it, is a better deal than you’ll get from anybody else.
Vince out.
Note to those little Brazilian kids on YouTube – don’t bother applying. You’re too good.
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